Photographed by Steven Meisel, and starring Julia Hafstrom, Ymre Stiekema, Kendra Spears, Katlin Aas and Anna de Rijk, the fall ads of Prada take on a concept almost as unique as the collection itself. Where spring was full of light and illumination, fall takes on a more darker, ominous tone. As different as the two seasons may be, they both share the common theme of having standout visions.
Tag Archives: Steven Meisel
Steven Meisel (born 1954) is an American photographer, who obtained popular acclaim with his work in US and Italian Vogue and his photographs of friend Madonna in the latter’s 1992 book Sex designed by Fabien Baron. He is now considered one of the most successful fashion photographers in the industry, shooting regularly for both US and Italian Vogue and lately W. His fascination for beauty and models started at a young age. At that time Meisel would not play with toys, but would instead draw women all the time. He used to turn to magazines like Vogue and Harper’s Bazaar as sources of inspiration for his drawings. Meisel dreamt of women from the high society like Gloria Guinness and Babe Paley, who personified to his eyes the ideas of beauty and high society. Other icons were his mother and his sister.
As he became obsessed with models such as Twiggy, Veruschka, and Jean Shrimpton, at 12 years old he asked some girlfriends to call model agencies and, by pretending to be secretaries of Richard Avedon, to get pictures of the models. To meet famous model Twiggy, the 12-year-old Meisel stood outside waiting for her at Melvin Sokolsky’s studio.
He studied at the High School of Art and Design and Parsons The New School for Design where he attended different courses but, as affirmed in an interview with Ingrid Sischy for Vogue France, he finally majored in fashion illustration.
One of Meisel’s first jobs was to work for fashion designer Halston as an illustrator. Meisel never thought he could become a photographer. He admired photographers like Jerry Schatzberg, Irving Penn, Richard Avedon and Bert Stern. Later on, while working at Women’s Wear Daily as an illustrator, he went to Elite model agency where two girls working there allowed him take pictures of some of their models. He would photograph them in his apartment in Gramercy Park or on the street: on weekdays he would work at Women’s Wear Daily and on weekends with the models. One of them was Phoebe Cates. Some of these models took their pictures to Seventeen magazine to show their model books and the people at Seventeen subsequently called Meisel and asked if he wanted to work with them.
Meisel currently works for many different fashion magazines, including fashion bibles such as US and Italian Vogue, amongst others. For the latter he has been the only photograper for its cover for almost 15 years. His studio is located in New York at 64 Wooster Street but he often rents the studios at Pier59 in New York and Smashbox Studios in Los Angeles. In 1995 he did the photo shot for the cover of the album Daydream by Mariah Carey. His work also can be seen on the cover of her single “Fantasy”. As one of the most powerful photographers in the fashion industry, Meisel is credited with “discovering” or promoting the careers of many supermodels. Through the years he has propelled many models to fame by regularly featuring them in Italian Vogue and various campaigns. Meisel’s influence and training seems to also extend past models.
Meisel has been a protégé of both reigning queens of the fashion press, editors-in-chief Franca Sozzani (Italian Vogue) and Anna Wintour (US Vogue).
He is a regular contributor to Italian Vogue and photographs the cover every issue, something generally unheard of in the ever changing fashion industry.
Using Vogue Italia as a platform, Meisel often creates layouts which are controversial, by juxtaposing fashion and politics and/or social standards. For example, in the September 2006 issue of Vogue Italia, Meisel played with the concept of restricted liberties post-September 11th America. The beautiful and fashionable models were conceived as terrorists and/or highly trained policemen. It caused a stir in the press, as the models were presented in violent compositions where they could be seen as being victimized. It also elicited a negative response from feminists which saw the role of the women as being undermined by their male counterparts.
He also used his power among the fashion elite to bring forth an issue that would show only black models. The Vogue issue, which became a smash hit, was released in July 2008 with the purpose to address the racism seen lately in fashion magazines, runways, and advertising campaigns.